It’s nearly landed …

DCFS back DCFS front

OK, it’s been available on Amazon for about a month now, but now the print edition of Danny Chaucer’s Flying Saucer is almost here. My publisher Albury Books sent me pics of the proof copies today … I haven’t actually seen it ‘in the flesh’ yet, but that should be any day now. Can’t wait. E-books are great and all, but nothing quite beats the feeling of holding your own printed book in your own hands.

And that’s it – possibly my shortest ever blog post! I’m now off to send a few more review requests … a writer’s work is never done, even when they’re not actually writing …

 

The fall of Falling Girl

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I reached a momentous decision today. I’ve basically unpublished my first novel, Falling Girl from Amazon. Why?

Well, there were a number of reasons really. If you believe (as I do) that your writing gets better with time and practice, then it follows that your earliest work may not be as good as your more recent output. I’ve heard it said that a first novel should be seen as a dry run, a place to make all your mistakes (or even more than usual anyway), and should remain locked in a desk drawer (literally or digitally) rather than published.

Which may not always be true obviously. But I was re-reading the prologue and first chapter earlier today and … I don’t know. I think there’s much there that’s positive. I just think that if I was writing it now, I’d do it differently. I believe I’d lose the prologue for a start. It’s quite different from the rest of the book and has a different POV. I’d say it’s a reasonable piece of writing in itself but, bottom line, the book doesn’t really need it.

There’s another reason. Since my first two books, which were both YA, I’ve switched to middle grade with Danny Chaucer’s Flying Saucer. Maybe that only accentuates the difference in my writing I see between then and now.

And besides, Falling Girl is available for free on this site now anyway, and has been for some time. It does occur to me that, if I don’t believe it’s a good advertisement for my writing whether I should make it available in any form at all, even for free.

But I’m not ashamed of it. It was my first novel, an achievement I remain proud of, and I’ll always have a special affection for it. I worked very hard, paying for a professional critique and redrafting many times, including one fairly significant revision several months after the original publication. Many people have said nice things about it, and I’m fairly sure most of them were telling the truth. It’s not a bad book. I still believe it’s a pretty good one in fact. It’s more that I’ve moved on and I don’t think it’s a quite good enough reflection of where I am and where I want to go.

And no-one was buying it anyway. Would I still withdraw it if it was selling well? Probably not, if I’m honest. But it wasn’t, so that’s a moot point really.

My second novel, BASIC Boy, is still on Amazon as a Kindle edition, though the paperback is no longer available. I do think that’s a better book and I’m more comfortable with keeping it on sale.

Have you published a book and then withdrawn it from sale, or thought about doing so?

 

A good day to publish a sci-fi book?

Stormtrooper     Screen Shot 2015-04-09 at 1.41.33 PM

Well, Star Wars Day seemed a good a day as any. Danny Chaucer’s Flying Saucer is now available on Amazon (links: UK, US), initially as a Kindle edition only, hopefully to gain a few reviews and help with the marketing. The paperback edition, along with availability in other channels including the iBook Store, will follow in the coming weeks.

So … after all those drafts, all that re-writing, my third novel has finally seen the light of day. It’s always a special moment. Not that I will pause long to savour it – there’s still so much to do, not least the second book in the series which is currently still stuck in first draft. And the third, not yet beyond outline form. And … a writer’s work is never done. Sometimes I wonder what I’ve gotten myself into – but it’s worth it.

 

 

Why I’ve decided on hybrid publishing

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I’ve been neglecting this blog big time recently, being far too busy with life in general but more specifically with putting the finishing touches to Danny Chaucer’s Flying Saucer and completing the first draft of its sequel. But I’m resolved to blog more regularly from now on. Writing’s a solitary business at times and there’s such a great community on WordPress that’s well worth keeping in touch with.

Anyway – back to the main point of this post. When I posted my writing resolutions for 2015, high on the list (after completing DCFS) was to finally decide on whether to continue down the self-publishing route or to hurl myself into the purgatory of query letters, agents and slush piles hoping to win one of those vanishingly rare traditional publishing lottery tickets.

Both options have their pros and cons of course. For me, the biggest problem with self-publishing is that your book will almost certainly be lost in the crowd. And traditional / conventional publishing, despite the unbelievably high bar confronting prospective new entrants (unless you happen to be a You Tube sensation or random celebrity who may or may not be able to string three words together), is perhaps not a great deal better. Put bluntly, most books don’t sell very well, however they’re published. There are exceptions of course, but they represent a tiny percentage of the tidal wave of new titles published every year.

The fact that I’ve sold very few books so far hasn’t stopped me, mainly because I love writing for its own sake. However, I love it so much that I’d like to spend a lot more time doing it, and that’s not really possible unless I start getting a decent income from it.

So is there a middle way? Some way to improve your chances of success – to help you make your books as professional as possible and to have more chance of selling it? There is much talk of hybrid or partner publishing, and these terms tend to mean different things to different people. All I can tell you about is what I’ve decided to do, and why.

DCFS will be published by a company called Albury Books. They are not a conventional publisher but neither do they publish anything and everything that comes their way. DCFS had to be accepted in order to carry their imprint. I have no doubt that their selection criteria were nowhere near as rigorous as a conventional publisher’s has to be when confronted with a tottering pile of hundreds of unsolicited manuscripts and a budget that probably allows them to take on perhaps one of them. But the fact that Albury do have minimum standards was reassuring.

I also liked their website, the fact that they have a children’s book programme, and the appearance of the books they were selling. The covers looked quite professional, for instance. That is not the case with all hybrid publishers’ websites I’ve seen, some of which looked quite amateurish and were jam-packed with covers that absolutely screamed ‘self-published!’ and not in a good way.

I know what you might be thinking at this point. I know because I’d probably be thinking it myself: isn’t hybrid just a polite word for vanity? Ah yes, the dreaded vanity press, exploiting authors’ dreams, taking their money for over-priced services and giving poor value in return. Have I fallen into that trap?

Well, for me, paid publishing services are not a dirty word (or words) necessarily. Design, editing, distribution, marketing … these things, especially if done properly, all cost time and money. Unless you’re one of the lucky few who secures a conventional publishing deal, they won’t come for free (and even then, much is still expected of the author, especially on the marketing side). Sure, a self-publishing author can do much or even all of it themselves – but to what standard, and how successfully? Let’s be honest. Amazon is full of books that aren’t very good, or have lousy covers, or sell few or no copies. There are also many that are very good, look amazing and/or sell in decent quantities, but they are the exception especially on the sales.

So I have concluded that if I want to do things better, going it alone is not the best option. I need some help, and yes that’s going to cost me something. To some extent, how much it costs is up to me. Albury do not sell fixed-price packages or require you to buy services you don’t need. I have got the cover designed through them (see above) – they were OK with my own design but I decided to go professional this time, and I’m pleased with the result. They did require, as a condition of acceptance for publication, that a copy-edit of the text was done by a specialist children’s editor – but they did not insist that this was sourced through them. I could have gone out and found my own copy-editor. (The edit was a good thing, by the way – I’ve never had one before, and I’m certain the book is better for it.)

There are some things I’m still doing myself, and therefore not paying for, because I’m confident I can do them to a good standard. This includes the text layout and the set-up on Amazon. Albury will be handling the set-up in other distribution channels, on their own website and in POD. The standard of the POD printing of their books, by the way, is definitely a cut above what I’ve experienced with Amazon’s, and therefore I won’t be setting up this book in Create Space.

I have to sign a contract, but I get to keep a high percentage of the royalties. The percentage is higher than Amazon’s and certainly miles better than those of a typical conventional publishing contract.

But of course, a high percentage of diddly squat is still diddly squat. The idea is to sell some books. Which brings me on to marketing and publicity services. These are available through Albury but they cost, and I’m still evaluating the options here. Two things I know: there are no guarantees when it comes to sales, and even if I pay for some services the onus is still on me. If I don’t believe in the book, I can’t expect anyone else to. I’ll post more about the marketing another time.

If you have any views or comments on any of this, I’d be pleased to hear them. Thanks.

First draft blues

waste paper

The trouble with dishing out advice is that you kind of feel you should practice what you preach. If you’ve visited this blog before you may have read my exhortation to ‘whack out’ the first draft of a book. It won’t be great, in fact it will probably be a mess, but you’ve got to start somewhere and that first draft just has to get written.

Well I still believe that, but I’m currently about halfway (I think) through the first draft of the sequel to Danny Chaucer’s Flying Saucer. I’m planning a three-book (initially) series, and I’ve started work on the second book even though the first isn’t yet finished. (The first book has gone through four drafts, but I’m now getting more feedback and going for a fifth, figuring that the book can only get better as a result, I hope.)

And it’s been a bit of a struggle. I love writing but at times it’s a bit more love–hate. I find the first draft the toughest one. Sure, re-drafting and editing is hard work too, but it’s somehow easier for me when there’s something to work with already there, even if some of the changes are pretty extensive and often involve adding whole new chunks as well as excising others.

Perhaps that’s the point: the first draft is the rawest, purest act of creation, of creating something from nothing; and that process of wresting words, sentences, paragraphs, dialogue, plots, characters, from brain to screen can seem painfully difficult at times. It always seems to demand more of me than any other part of the writing process.

It also takes persistence, especially when you can clearly see the flaws in what you’re producing. Because although I know the first draft is inevitably going to fall short, that knowledge makes it harder to plough on. At least in the re-drafting/editing I can see how the book is improving, and it’s immensely satisfying to see that happening. But when I’ve spent an hour hammering down a chunk of prose for the first time, and then look back and realise it’s a bit ‘meh’, that can be more than a little de-motivating.

This can lead me to break my own rules about splurging it all out and worrying about quality in the second draft. I do find myself back-tracking a bit at times and making some minor alterations, as well as fixing some of the more annoying typos. (If I type ‘starts’ instead of ‘stars’, or ‘this’ instead of ‘his’, many more times I swear I may cut my hands off.) But then rules should sometimes be broken. I don’t see the point in writing total garbage. (Partial garbage, sure.) My first drafts are always going to be somewhat dodgy, because I know if I tried to fix everything at once I’d never get anywhere, but I need to see something good in what I’m producing.

What makes it even worse for me is that the Danny Chaucer books, being children’s / middle-grade level, aren’t very long. The first book is around 30,000 words, and for the second I’m aiming for about the same. How long can it take to write a 30,000-word book? I’ve written longer (BASIC Boy is twice that length), and adult novels are typically much longer. I really admire anyone who writes a decent 80–100,000 word novel. That takes some effort.

But I’m forging ahead, slowly but surely – though slower than I’d like and not entirely sure of myself. Don’t get me wrong – I wouldn’t keep going with something I completely hate. I’ve chosen to write, and I’ve chosen to write this book at this time, so I shouldn’t keep belly-aching about it. No-one’s holding a gun to my head. Actually that would be pretty motivating, but in its absence I keep reminding myself of a few things when it comes to first drafts, to help me keep going:

  1. It’s just got to be done. I bet a lot of would-be writers fall at this first hurdle, and that’s a shame.
  2. All writers’ first drafts are dodgy, even the really famous and successful ones. It’s part of the process.
  3. If you can already see some of the faults, then that’s great. You can’t fix them if you can’t see them. (And if you can’t see them, don’t worry, you will – or otherwise someone else will show you if you ask.)
  4. Find you own method and pace. You might be a ‘slap down the words as quickly as possible and fix the problems later’ type; or need to spend more time to get more right first time. Both are fine if they work for you. And your approach might evolve over time, or vary between projects. Just don’t get too bogged down – get it finished.
  5. Finally, remember that you’ve got plenty of time, and subsequent drafts, to improve the work, And there will be plenty of good to improve, not just faults to rectify. The first draft is the necessary – if often difficult – first step along the road to a book you can be proud of.

So with the above in mind, I should probably stop writing this and go back to writing DCFS2.

DCFS: Sample now available – and my close encounter with Fiverr

DCFS cover

Two developments on the Danny Chaucer’s Flying Saucer front:

As always, any comments on text and/or cover – good, bad or indifferent – are very welcome.

Re the cover, I wrote recently about my conflict concerning the do-it-yourself versus professional designer question. I did try fiverr but wasn’t too happy with the result. I went with a designer who had a pretty impressive portfolio, and I don’t doubt their ability. What I got back was fine from a general perspective I think, but wasn’t at all what I was looking for. I was honestly reasonably open-minded about what I would get back but, put simply, the result didn’t look like the cover of a children’s book to me. It looked more like a standard adult thriller/SF book.

I did provide the blurb and told them it was a children’s book. But I don’t blame the designer for this outcome. To begin with, frankly, what did I expect for $5? (Actually $10 because they also sourced the cover image which cost a bit extra, but that’s still cheap of course.) In fact, the better (and more in demand) the designer is, then theoretically the less of their time that $5 can buy. I can see that from their point of view the whole fiverr thing is a high volume, low margin game. They can’t think too long about each title, or spend much time on it. They will therefore bang out something standard and competent, as quickly as possible. And in many cases that’s probably fine.

I could have gone back to the designer to give feedback and ask for changes, but actually I thought the whole concept was wrong and so essentially I’d want them to start again from scratch, and I doubt that would fall within the remit of the $10 gig. It just wouldn’t be fair. So I’ve basically just written off the $10 to experience. It’s not much to lose.

If I used fiverr (or a similar service) again, I’d choose a designer (1) with demonstrable experience in children’s book covers in particular (though there don’t seem to be many of those on fiverr), and/or (2) will deliver two or more design concepts up-front rather than just one, which probably means (3) charging more than $5/$10 (which is fine – it’s only fair to pay an appropriate amount).

The problem is, my browsing on fiverr to date seems to show the vast majority of cover designers offering very similar things – same rock-bottom price, which therefore covers only one design concept, and very similar generic-looking adult fiction covers (again not surprising for the low price).

I imagine a truly successful author–designer collaboration is one that takes time to develop. The two get to know each other, their work, what they do, what they look for and what’s current in their market. There is a dialogue, some back-and-forth, a development of ideas. A process , in short, that’s far more likely to produce a mutually beneficial outcome than a $5 fiverr gig.

In the end, I did have an idea for a cover, and I ended up doing it in PowerPoint – which I’d never considered using for covers before (and which a professional designer probably wouldn’t be seen dead anywhere near), but was actually quite easy. It also allowed for the text effect I wanted.

Anyway – as I said, any feedback would be very welcome.

My New Year Writing Resolutions for 2015

Big Ben

“Whatever it is you’re scared of doing, Do it. Make your mistakes, next year and forever.” – Neil Gaiman

Well that’s another Christmas wrapped up. Like many people I will now make the usual boring and/or over-ambitious New Year resolutions concerning fitness, flossing, family, finance, etc. And most of those will be broken by about 4th January. Some a bit sooner than that.

On the writing front, however, it’s a good time to focus on what I really want to achieve in the coming year. I have to be honest and say that this time last year I had little idea of what I was going to write in 2014. I had just finished BASIC Boy and published it on Amazon, but none of the various ideas I had for a follow-up ever really came to life. BASIC Boy has sold no better than its predecessor, Falling Girl, which made me question whether I should keep writing in the supernatural YA genre. It’s a very crowded market (mind you, aren’t they all?) and I haven’t been able make any kind of impact in it.

So the first half of 2014 witnessed a sorry litany of false starts and frustrated navel gazing. It wasn’t until the summer that I hit upon the idea of Danny Chaucer’s Flying Saucer and experienced the simultaneous joy and relief of seeing my writing spark into life again. At last I had a real project again, something I was truly enthusiastic about. I realised that writing for a younger age group was what I really wanted to do – for now at least.

Looking forward to 2015 … now of course what I want is for zillions of people to stumble upon Falling Girl and BASIC Boy, belatedly realising that they are in fact solid gold classics and proceeding to buy them by the truckload, thereby earning me enough money to give up the day job and pursue my writing passion full time.

However, back on Planet Earth, some more basic and achievable aims would be far more useful than daydreaming. So this is what I’ve come up with so far:

  1. Complete Danny Chaucer’s Flying Saucer. I’ve recently finished the third draft, but I will do another spit-and-polish job on it. And then …
  2. Finally make a bloomin’ decision on whether to try to get a publisher or agent interested, or carry on along the self-publishing route. My instinct is the latter, but I really need to come up with some kind of coherent marketing plan, because as we all know it’s vanishingly rare for zillions of people to stumble upon your books on Amazon and buy them by the truckload just by chance. And so …
  3. Come up with a coherent marketing plan. I actually do have some ideas here, which might initially involve producing a pre-publication version of DCFS and giving it out free to lots of kids, possibly with the cooperation of my sons’ school. I hope thereby to gain some more useful feedback, and perhaps make further changes to the book as a result. (Note that my definition of ‘complete’ in #1 above is therefore somewhat elastic.)
  4. It also means sorting out the cover and blurb. I do already have a blurb, but not yet a cover.
  5. I also can’t quite get rid of the crazy notion of buying a load of cheap Frisbees and customising them with the DCFS logo (which doesn’t yet exist – there’s another objective) as a marketing giveaway. It’s probably just another of those bad marketing ideas I sometimes come up with, but I might just do it anyway.
  6. More sensibly … DCFS is not meant to be a standalone, so I need to produce a series plan. Initially this will comprise two further books, so three in total, but there could be more in the future.
  7. Outline the second and third books, and complete the first draft of book two by end February. Ideally I’d like the second book finished by the summer and the third book by the end of 2015; so that by this time next year I will have a short series.
  8. More generally, I want to do all I can to become a better writer. It’s an ongoing process. That means – among other things – reading widely and picking up tips and advice from a variety of sources, including some of the many excellent WordPress blogs on writing. And of course it means actually writing, as much and as regularly as I can. I should write some adult fiction as well as the DCFS series, maybe some short stories.
  9. Better networking and sharing with other writers, both online and off. I know a couple of other budding writers in my local area, and we’ve talked about setting up a writers’ group without ever quite getting around to it. Time is a scarce commodity, but maybe 2015 is the year to make it happen.
  10. Stop coming up with long lists of action points that I probably won’t achieve. Especially silly ones about Frisbees.

I hope you have a happy, peaceful, productive and fulfilling 2015.