Why I’ve decided on hybrid publishing

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I’ve been neglecting this blog big time recently, being far too busy with life in general but more specifically with putting the finishing touches to Danny Chaucer’s Flying Saucer and completing the first draft of its sequel. But I’m resolved to blog more regularly from now on. Writing’s a solitary business at times and there’s such a great community on WordPress that’s well worth keeping in touch with.

Anyway – back to the main point of this post. When I posted my writing resolutions for 2015, high on the list (after completing DCFS) was to finally decide on whether to continue down the self-publishing route or to hurl myself into the purgatory of query letters, agents and slush piles hoping to win one of those vanishingly rare traditional publishing lottery tickets.

Both options have their pros and cons of course. For me, the biggest problem with self-publishing is that your book will almost certainly be lost in the crowd. And traditional / conventional publishing, despite the unbelievably high bar confronting prospective new entrants (unless you happen to be a You Tube sensation or random celebrity who may or may not be able to string three words together), is perhaps not a great deal better. Put bluntly, most books don’t sell very well, however they’re published. There are exceptions of course, but they represent a tiny percentage of the tidal wave of new titles published every year.

The fact that I’ve sold very few books so far hasn’t stopped me, mainly because I love writing for its own sake. However, I love it so much that I’d like to spend a lot more time doing it, and that’s not really possible unless I start getting a decent income from it.

So is there a middle way? Some way to improve your chances of success – to help you make your books as professional as possible and to have more chance of selling it? There is much talk of hybrid or partner publishing, and these terms tend to mean different things to different people. All I can tell you about is what I’ve decided to do, and why.

DCFS will be published by a company called Albury Books. They are not a conventional publisher but neither do they publish anything and everything that comes their way. DCFS had to be accepted in order to carry their imprint. I have no doubt that their selection criteria were nowhere near as rigorous as a conventional publisher’s has to be when confronted with a tottering pile of hundreds of unsolicited manuscripts and a budget that probably allows them to take on perhaps one of them. But the fact that Albury do have minimum standards was reassuring.

I also liked their website, the fact that they have a children’s book programme, and the appearance of the books they were selling. The covers looked quite professional, for instance. That is not the case with all hybrid publishers’ websites I’ve seen, some of which looked quite amateurish and were jam-packed with covers that absolutely screamed ‘self-published!’ and not in a good way.

I know what you might be thinking at this point. I know because I’d probably be thinking it myself: isn’t hybrid just a polite word for vanity? Ah yes, the dreaded vanity press, exploiting authors’ dreams, taking their money for over-priced services and giving poor value in return. Have I fallen into that trap?

Well, for me, paid publishing services are not a dirty word (or words) necessarily. Design, editing, distribution, marketing … these things, especially if done properly, all cost time and money. Unless you’re one of the lucky few who secures a conventional publishing deal, they won’t come for free (and even then, much is still expected of the author, especially on the marketing side). Sure, a self-publishing author can do much or even all of it themselves – but to what standard, and how successfully? Let’s be honest. Amazon is full of books that aren’t very good, or have lousy covers, or sell few or no copies. There are also many that are very good, look amazing and/or sell in decent quantities, but they are the exception especially on the sales.

So I have concluded that if I want to do things better, going it alone is not the best option. I need some help, and yes that’s going to cost me something. To some extent, how much it costs is up to me. Albury do not sell fixed-price packages or require you to buy services you don’t need. I have got the cover designed through them (see above) – they were OK with my own design but I decided to go professional this time, and I’m pleased with the result. They did require, as a condition of acceptance for publication, that a copy-edit of the text was done by a specialist children’s editor – but they did not insist that this was sourced through them. I could have gone out and found my own copy-editor. (The edit was a good thing, by the way – I’ve never had one before, and I’m certain the book is better for it.)

There are some things I’m still doing myself, and therefore not paying for, because I’m confident I can do them to a good standard. This includes the text layout and the set-up on Amazon. Albury will be handling the set-up in other distribution channels, on their own website and in POD. The standard of the POD printing of their books, by the way, is definitely a cut above what I’ve experienced with Amazon’s, and therefore I won’t be setting up this book in Create Space.

I have to sign a contract, but I get to keep a high percentage of the royalties. The percentage is higher than Amazon’s and certainly miles better than those of a typical conventional publishing contract.

But of course, a high percentage of diddly squat is still diddly squat. The idea is to sell some books. Which brings me on to marketing and publicity services. These are available through Albury but they cost, and I’m still evaluating the options here. Two things I know: there are no guarantees when it comes to sales, and even if I pay for some services the onus is still on me. If I don’t believe in the book, I can’t expect anyone else to. I’ll post more about the marketing another time.

If you have any views or comments on any of this, I’d be pleased to hear them. Thanks.

Why I designed my own book covers – and still wonder if I’ve done the right thing …

messy paint

Do you design your covers, or pay for someone else to do it? The advice available on this (as with most things) varies a lot. Some will say you should always use a professional designer; you won’t do a good enough job yourself, and you’ll just end up with the dreaded ‘self-published look’.

I have some sympathy with that view. You could say it’s slightly delusional and even kind of demeaning to designers, to believe that I can knock out a cover as good as an actual, real designer could produce. After all, graphic design and typography are real skills, just like writing – and, like writing, experience and practice makes you better. Someone who’s designed dozens of covers is bound to be better at it than me, aren’t they?

And I think most of us can agree on one thing: the cover is important. Along with the blurb, it’s one of the few things that potential buyers see before they buy (or not). So why compromise?

Well, the main reason is obvious: cost. It’s tempting to save the money by doing it yourself. It’s possible to spend hundreds of dollars or pounds on a cover; some top designers may charge even more. However, you can also spend a lot less, for example by using Fiverr to source a low-cost design. I’ve yet to try this myself, but I’ve heard good things. Then again, I wonder if there’s an element of ‘you get what you pay for’.

My own feeling is that producing your own cover is a bit like doing home improvement or DIY. I’m not a professional architect, builder, electrician or plumber, and there’s a lot of what they can do that I wouldn’t even attempt. But there are things I can do with minimal risk of disaster or death. I can wire a plug, fill small cracks, sand and paint, all in relative safety and producing acceptably good results. I learnt to do those things, followed some simple rules, and have done them enough to attain a reasonable level of competence. I know my limitations, and provided I stay within them then I’m probably OK.

With both Falling Girl and BASIC Boy, I had good ideas of what I wanted the covers to look like. Furthermore my ideas were quite simple, not requiring expensive professional graphics software or a high level of design expertise. They were concepts that I was reasonably sure I could execute to an acceptable standard, and so was comfortable having a go. Now, I’m fairly happy with the results. I don’t think they scream ‘look at me, I’m so self-published!’ (or maybe they do? If I’m deluding myself, I hope someone will put me right. The covers are below.)

Anyway … from the research I’ve done, I would say it might be worth having a stab at your own cover if one or more of the following apply to you:

  • You really can’t afford to pay even a low-end design price.
  • You have a very good idea what you want to do – and it’s not too ambitious.
  • You are aware of, and stick to, basic layout and typography good practice. If you don’t know what they are, there are a lot of resources and advice (much of it for free) available online. See for example my references below.

I won’t go too much into ‘good design practice guidelines here’ – but, I will share just a few that I’ve used as guidance for my designs of my two covers:

  1. Try to use a simple, striking image, rather than over-complex, over-busy design.
  2. If you use your own image, ensure it’s good quality; if you use a downloaded stock image or photo, make sure it’s not an over-used one.
  3. Use contrasting covers.
  4. Use an asymmetrical design.
  5. Don’t use a common text font like Times or Arial – rather, use a less common, display font (many of which can be downloaded for free) (Comic Sans? Don’t even think about it … unless your book’s an ironic meditation on the evils of Comic Sans – and even then I’d think twice.)
  6. Space the text out, rather than squash it up, for an easier-to-read and more professional look. (Sorry about the technical typographic jargon … you can just tell I’m an expert!)
  7. Your overall design must reflect the book’s genre / subject well – and as the market is today, not twenty or thirty years ago.

No doubt there are many other ‘rules’ too – and some are in the books listed at the bottom of this post – but the above seemed the most important to me.

Points 1 to 4 are about making your cover stand out – bearing in mind it must catch the eye even at thumbnail size (as it will appear on an Amazon search results screen for example).

Points 5 and 6 are about the typography looking professional and easy-to-read.

Point 7 involves having a good working knowledge of the genre and market. What do the covers of other, similar books look like? You want yours to stand out – but not look so different that the casual browser won’t recognise the kind of book it is.

With my two covers, I tried to follow the above guidelines – but a couple of weeks ago I decided to refresh the designs. In particular I noticed that they weren’t very good on point 6, i.e. the text was a little ‘squashed’. So I opened it up a little for Falling Girl:




FG cover Oct14

It’s subtle I grant you, but a little better I hope.

I did the same for BASIC Boy – but, more noticeably, also blew up the ‘demented ghostly space invader’, making it more ‘in yer face’:




BB cover Oct 14

But, for goodness sake, if you think that (1) either cover sucks or (2) the ‘before’ is better than the ‘after’ in either case, please tell me. I’m a self-published author: I can take criticism, in fact I expect it. (On the other hand, if you like the covers, that would be nice to know too.)

For my current project, Danny Chaucer’s Flying Saucer, however, I’ve yet to find much inspiration re the cover – and the one vague idea I have had so far I’m not sure I’d be able to execute very well. So that may well lead to my first foray into Fiverr. Mind you, I’m not even yet sure whether I’m going to self-publish or to propel myself into the gruelling agent/publisher-query marathon. If the latter, it’s probably not worth spending time or money on a cover at this stage.

Do you design your own covers? How do you think you did? Any experience of using designers, on Fiverr or elsewhere? Comments welcome as ever.


In Make A Killing On Kindle. Michael Alvear is very much of the ‘you must get a professional cover design’ school of thought. He has no time for do-it-yourself – he thinks your efforts will inevitably suck. I don’t necessarily agree, but looking at some of the covers of self-published titles on Amazon, I can see where he’s coming from.

On the other hand, both Derek Murphy in Book Marketing is Dead and Rayne Hall in Why Does My Book Not Sell? allow for the possibility of decent self-produced covers and give some useful design tips.